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心乡迷踪
杰西卡·查斯坦,约翰·浩克斯,保罗·斯帕克斯,维恩·埃维雷特,罗斯·林奇,加内特·赫德兰,斯凯勒·戴,詹妮弗·内特尔斯,乔丹·考克斯,伊莎贝尔·库斯曼,Aaron·Goldenberg,Brett·Newton
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2026/美国
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维多利亚时代的精神病人
麦卡·梦露,詹森·艾萨克,托马辛·麦肯齐,露丝·威尔森,雅各比·尤佩,艾维·坦普尔顿,艾米·德·毕罕,保罗·雷德,达格玛·德林,凯瑟琳·莫兰,西蒙·库里,艾伦·德瓦利,凯特·布雷迪,汤姆·莫德尔,西蒙·布伦彻
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2026/美国
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黄金时段2026
罗伯特·帕丁森,斯凯勒·吉桑多
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2026/美国
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韩国安格克尔病房
Arbani YASIZ,Diandra AGATHA
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2026/印度尼西亚
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猛鬼乐园
纳塔瓦特·吉罗提昆,容辛·翁帕尼农,潘纳威·帕塔纳斯利,Jay Sorathon Chaloemlapsombut
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2026/泰国
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诡岭迷窟
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2026/中国大陆
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丁字
伍迪·哈里森,贾斯汀·塞洛克斯,琳娜·海蒂,多姆纳尔·格里森,朱迪·格雷尔,琪兰·席普卡,大卫·克朗姆霍茨,凯瑟琳·特纳,伊克·巴里霍尔兹,托比·哈斯,金·寇兹,柯宾·伯恩森,连姆·詹姆斯,里奇·索莫,尤尔·瓦斯克斯,佐伊·莱文,内尔松·阿森西奥,特瑞·莱德,Alexis Valdés,艾什莉·布鲁克,基莎巴尔,马克·门查卡,杰森·巴宾斯基,托尼·普拉纳,J·P·马诺克斯,史蒂夫·尼尔森,杰奎琳·霍努力克,凯文·多尔夫,乔纳森·格雷格,黛布·海特,撒迪厄斯·丹尼尔斯,小吉米·加里,马修·詹姆斯·居尔布兰松
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2026/美国
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tfboys青春修炼手册
谢琳·伍德蕾,本·门德尔森,拉尔夫·伊内森,约翰·艾德坡,马塞拉·伦茨·波普,萝丝玛丽·邓斯莫尔,迈克尔·克莱姆,达西·劳瑞,马克·卡马乔,亚瑟·霍尔顿,理查德·泽曼,杰森·卡弗利尔,杜桑恩·杜基齐,亚历克斯·格雷文施泰因,肖恩·塔克,鲍比·布朗,马克·安东尼·克鲁帕,乔安·哈特,李凯莉,马克·戴,海蒂·福斯,毛里齐奥·泰拉扎诺,麦莎·乌里
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2026/美国
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快乐大本营宫
舒淇
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2026/美国
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离人心上
林美龄
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2026/印度尼西亚
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高泽文
奥田咲
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2026/泰国
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改嫁
James
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2026/中国大陆
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Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.